![]() ![]() ![]() Feminist practice and poststructural theory. International Journal of Politics, Culture, and Society, 28(3), 243–271. Crossing over with Tilda Swinton-the mistress of flat affect. Sandywell (Eds.), Interpreting visual culture: Explorations in the hermeneutics of the visual (pp. Specular grammar: The visual rhetoric of modernity. HBO’s Girls and our resentment toward privileged, white America. Amor Mundi Home Cruel Optimism 03-31-2019 Lauren Berlant’s Cruel Optimism, which made its way around academic circles several years ago, has been brought to public light in a New Yorker feature by Hua Hsu, who looks at Berlant’s work in the current field of affect theory. Cite Share Permissions Issue Section: Reading The text of this article is only available as a PDF. Cahill, (Eds.), Learning bodies: The body in youth and childhood studies (pp. Lauren Berlant differences (2006) 17 (3): 2036. Fuck your body image: Teen girls’ Twitter and Instagram feminism in and around school. Retallack, H., Ringrose, J., & Lawrence, E. European Journal of Cultural Studies, 16(3), 344–361. Neoliberal frames and genres of inequality: Recession-era chick flicks and male-centred corporate melodrama. Old wives’ tales: Feminist re-visions of film and other fiction. Exceptionalism’s exceptions: The changing American narrative. Erotic memoirs and postfeminism: The politics of pleasure. New femininities: Postfeminism, neoliberalism and subjectivity. Culture and subjectivity in neoliberal and postfeminist times. European Journal of Cultural Studies, 10(2), 147–166. Postfeminist media culture: Elements of a sensibility. Sex and the City: Carrie Bradshaw’s queer postfeminism. Postfeminism: Cultural texts and theories. Müller (Eds.), Postfeminism and contemporary Hollywood cinema (pp. Hell is a teenage girl? Postfeminism and contemporary teen horror. International Journal of Politics, Culture, and Society, 28(3), 179–281.įradley, M. Flat affect, joyful politics and enthralled attachments: Engaging with the work of Lauren Berlant. European Journal of Cultural Studies, 19(2), 119–133.ĭuschinsky, R., & Wilson, E. Consumption in the city: The turn to interiority in contemporary postfeminist television. Skeggs (Eds.), Transformations: Thinking through feminism (pp. Consumerism and compulsory individuality: Women, will and potential. Concentric: Literary and Cultural Studies, 36(1), 243–275.Ĭronin, A.M. Neoliberal self-governance and popular postfeminism in contemporary Anglo-American chick lit. The American narrative: Is there one and what is it? Daedalus, 141(1), 11–17.Ĭhen, E.Y. Durham: Duke University Press.īerlant, L. The female complaint: The unfinished business of sentimentality in American politics. Feminist Media Studies, 3(1), 83–98.īerlant, L. Sex and the city and consumer culture: Remediating postfeminist drama. Toward a new fantastic: Stop calling it science fiction. Durham: Duke University Press.Īndersen, J.A. Cruel Optimism is a remarkable affective history of the present.Ahmed, S. She suggests that our stretched-out present is characterized by new modes of temporality, and she explains why trauma theory-with its focus on reactions to the exceptional event that shatters the ordinary-is not useful for understanding the ways that people adjust over time, once crisis itself has become ordinary. People have remained attached to unachievable fantasies of the good life-with its promises of upward mobility, job security, political and social equality, and durable intimacy-despite evidence that liberal-capitalist societies can no longer be counted on to provide opportunities for individuals to make their lives “add up to something.”Īrguing that the historical present is perceived affectively before it is understood in any other way, Berlant traces affective and aesthetic responses to the dramas of adjustment that unfold amid talk of precarity, contingency, and crisis. ![]() Offering bold new ways of conceiving the present, Lauren Berlant describes the cruel optimism that has prevailed since the 1980s, as the social-democratic promise of the postwar period in the United States and Europe has retracted. A relation of cruel optimism exists when something you desire is actually an obstacle to your flourishing. ![]()
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